PARK CITY, UTAH, January 31, 2025 — Today the 2025 Sundance Film Festival awards were presented at a ceremony for the jury and audience award–winning films at The Ray Theatre in Park City, where independent storytelling was celebrated ahead of the Festival’s conclusion. The 2025 Festival, taking place now through February 2, has featured premieres, screenings, talks, events, and more in Park City and Salt Lake City, Utah. All feature award-winning films are available online nationwide now through February 2. Select award-winning films will screen in person for ticketholders and passholders. Tickets can be purchased at festival.sundance.org/tickets.

Grand Jury Prizes went to Atropia (U.S. Dramatic Competition), Seeds (U.S. Documentary Competition), Sabar Bonda (Cactus Pears) (World Cinema Dramatic Competition), and Cutting Through Rocks (اوزاک یوللار) (World Cinema Documentary Competition). The NEXT Innovator Award presented by Adobe was given to Zodiac Killer Project.

Audience awards for films in competition were presented by Acura to Twinless (U.S. Dramatic Competition) and  André is an Idiot (U.S. Documentary Competition) and presented by United Airlines to DJ Ahmet (World Cinema Dramatic Competition) and Prime Minister (World Cinema Documentary Competition). East of Wall won the audience award for NEXT presented by Adobe. Awards for the Short Film Program Presented by Vimeo were announced at a ceremony on January 28 at The Park in Park City, Utah.

This year, the Festival jury included: Reinaldo Marcus Green, Arian Moayed, and Celine Song for the U.S. Dramatic Competition; Steven Bognar, Vinnie Malhotra, and Marcia Smith for the U.S. Documentary Competition; Ava Cahen, Wanuri Kahiu, and Daniel Kaluuya for the World Cinema Dramatic Competition; Daniela Alatorre, Laura Kim, and Kevin Macdonald for the World Cinema Documentary Competition; Kaniehtiio Horn, Maggie Mackay, and Kibwe Tavares for the Short Film Program Competition; and Elijah Wood for the NEXT section.

“We congratulate all of our filmmakers and award winners on a successful 2025 Sundance Film Festival and thank them for the stories they shared with our audiences,” said Amanda Kelso, Acting CEO, Sundance Institute. “These works spoke to our commitment to fostering empathy, understanding, and a more vibrant, inclusive society through storytelling, and it was an honor to celebrate them together as a community.”

“Arriving at our Awards Ceremony after seven days of connection and discovery is especially rewarding this year. We are thrilled to honor these filmmakers for their inventiveness, generosity, and for the valuable conversations, moments of levity, and deep insights their work has offered,” said Eugene Hernandez, Director, Sundance Film Festival and Public Programming. “We share our gratitude with the State of Utah, audiences, staff, volunteers, and everyone who makes the Sundance Film Festival possible.”

“We have such admiration and respect for all of the films in this year’s program, and we want to congratulate everyone who had a hand in creating the works being honored at our Awards Ceremony today,” added Kim Yutani, Sundance Film Festival Director of Programming. “Our programming team is so thrilled to have introduced these moving and impactful works to our audiences this Festival, and we look forward to following the journeys of each of these talented artists and their projects.”

The awards ceremony honored the winning projects two days before the conclusion of the 2025 Sundance Film Festival, where 94 feature-length and episodic works and 57 short films — curated from a total 15,775 submissions — have screened to audiences in Park City, Salt Lake City, and online.

Feature film award winners in previous years include: A Real Pain, Dìdi (弟弟), Porcelain War, Sujo, Daughters, Kneecap, A Thousand and One, 20 Days in Mariupol, The Eternal Memory, Nanny, CODA, Summer of Soul (…Or, When The Revolution Could Not Be Televised), Flee, Minari, Boys State, Clemency, One Child Nation, Honeyland, The Souvenir, The Miseducation of Cameron Post, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove, and Man on Wire.

The 2025 Sundance Film Festival awards are:

GRAND JURY PRIZES

The U.S. Grand Jury Prize: Dramatic was presented to Atropia / U.S.A. (Director and Screenwriter: Hailey Gates, Producers: Naima Abed, Emilie Georges, Luca Guadagnino, Lana Kim, Jett Steiger) — When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance. Cast: Alia Shawkat, Callum Turner, Chloë Sevigny, Tim Heidecker, Jane Levy. World Premiere. Available online for Public. 

Jury citation: For its singular directing, writing, and vision, this timely and timeless first feature was both hilarious and damning in its portrayal of the theater of war. Its biting criticism of American imperialism and boundary-pushing storytelling led all three of the jurors to unanimously award the U.S. Grand Jury Prize: Dramatic to Atropia by Hailey Gates.

The U.S. Grand Jury Prize: Documentary was presented to Seeds / U.S.A. (Director and Producer: Brittany Shyne, Producers: Danielle Varga, Sabrina Schmidt Gordon) — An exploration of Black generational farmers in the American South reveals the fragility of legacy and the significance of owning land. World Premiere. Available online for Public.

Jury citation: It is our great honor to award the U.S. Grand Jury Prize: Documentary to a truly special film that evokes and illustrates all that we come to Sundance to discover — a new voice with something powerful, rich, and poignant to say. From its directing, cinematography, and dreamlike immersion, this film takes us deep inside an essentially overlooked pocket of our country, whose residents struggle to hold onto their heritage as their way of life has come under threat. The fact that this is the filmmaker’s feature debut speaks to the arrival of an exciting new talent in documentary. The U.S. Grand Jury Prize: Documentary goes to Seeds. 

The World Cinema Grand Jury Prize: Dramatic was presented to Sabar Bonda (Cactus Pears) / India, U.K., Canada (Director and Screenwriter: Rohan Parashuram Kanawade, Producers: Neeraj Churi, Mohamed Khaki, Kaushik Ray, Hareesh Reddypalli, Naren Chandavarkar, Sidharth Meer) — Anand, a 30-something city dweller compelled to spend a 10-day mourning period for his father in the rugged countryside of western India, tenderly bonds with a local farmer struggling to stay unmarried. As the mourning ends, forcing his return, Anand must decide the fate of his relationship born under duress. Cast: Bhushaan Manoj, Suraaj Suman, Jayshri Jagtap. World Premiere. Available online for Public.

Jury citation: This is the great modern love story. To say it’s an honor to award this tender film is an understatement. We cried, we laughed, and we wished to be loved in the same way. It is exactly what the world needs right now. This authentic point of view opens the door to an intimate language we all understand. We feel the humming heartbeat of the main character’s inner life, and when it bursts, it wraps us with its sweetness. We award the World Cinema Grand Jury Prize: Dramatic to Sabar Bonda (Cactus Pears).

The World Cinema Grand Jury Prize: Documentary was presented to Cutting Through Rocks (اوزاک یوللار) / Iran, Germany, U.S.A., Netherlands, Qatar, Chile, Canada (Directors and Producers: Sara Khaki, Mohammadreza Eyni) — As the first elected councilwoman of her Iranian village, Sara Shahverdi aims to break long-held patriarchal traditions by training teenage girls to ride motorcycles and stopping child marriages. When accusations arise questioning Sara’s intentions to empower the girls, her identity is put in turmoil. World Premiere. Available online for Public.

Jury citation: This beautiful and nuanced portrait shows us a fearless eccentric who confronts male-dominated society when she runs for office in a remote Iranian village. Her determination, warmth, and humor and the way her story is told left us in awe. We are proud to present the World Cinema Grand Jury Prize: Documentary to Cutting Through Rocks (اوزاک یوللار).

NEXT INNOVATOR AWARD PRESENTED BY ADOBE

The NEXT Innovator Award Presented by Adobe was awarded to Zodiac Killer Project / U.S.A., U.K. (Director and Producer: Charlie Shackleton, Producers: Catherine Bray, Anthony Ing) –– Against the backdrop of sunbaked parking lots, deserted courthouses, and empty suburban homes — the familiar spaces of true crime, stripped of all action and spectacle — a filmmaker describes his abandoned Zodiac Killer documentary and probes the inner workings of a genre at saturation point. World Premiere. Documentary. Available online for Public.

Jury citation: I really loved each of these totally original films, but one truly stood out in its innovation, its structure, its wild pivot from its original inspiration, the brilliant and hilarious 16mm panning and zooming location shots, and its funny and insightful commentary on the very kind of film it was originally meant to be. There is no film like it, and with that, I am thrilled to present the NEXT Innovator Award to Zodiac Killer Project.

AUDIENCE AWARDS

The Audience Award: U.S. Dramatic, Presented by Acura was awarded to Twinless / U.S.A. (Director, Screenwriter, and Producer: James Sweeney, Producer: David Permut) — Two young men meet in a twin bereavement support group and form an unlikely bromance. Cast: Dylan O’Brien, James Sweeney, Lauren Graham, Aisling Franciosi, Tasha Smith, Chris Perfetti. World Premiere. Available online for Public. 

The Audience Award: U.S. Documentary, Presented by Acura was awarded to André is an Idiot / U.S.A. (Director: Anthony Benna, Producers: André Ricciardi, Tory Tunnell, Joshua Altman, Stelio Kitrilakis, Ben Cotner) — André, a brilliant idiot, is dying because he didn’t get a colonoscopy. His sobering diagnosis, complete irreverence, and insatiable curiosity, send him on an unexpected journey learning how to die happily and ridiculously without losing his sense of humor. World Premiere. Available online for Public. 

The Audience Award: World Cinema Dramatic, Presented by United Airlines was awarded to DJ Ahmet / North Macedonia, Czech Republic, Serbia, Croatia (Director and Screenwriter: Georgi M. Unkovski, Producers: Ivan Unkovski, Ivana Shekutkoska) — Ahmet, a 15-year-old boy from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else. Cast: Arif Jakup, Agush Agushev, Dora Akan Zlatanova, Aksel Mehmet, Selpin Kerim, Atila Klince. World Premiere. Available online for Public.

The Audience Award: World Cinema Documentary, Presented by United Airlines was awarded to Prime Minister / U.S.A. (Directors: Michelle Walshe, Lindsay Utz, Producers: Cass Avery, Leon Kirkbeck, Gigi Pritzker, Rachel Shane, Katie Peck) — A view inside the life of former New Zealand Prime Minister Jacinda Ardern, capturing her through five tumultuous years in power and beyond as she redefined leadership on the world stage. World Premiere. Available online for Public.

The Audience Award: NEXT, Presented by Adobe was awarded to East of Wall / U.S.A. (Director, Screenwriter, and Producer: Kate Beecroft, Producers: Lila Yacoub, Melanie Ramsayer, Shannon Moss) –– After the death of her husband, Tabatha — a young, tattooed, rebellious horse trainer — wrestles with financial insecurity and unresolved grief while providing refuge for a group of wayward teenagers on her broken-down ranch in the Badlands. Cast: Tabatha Zimiga, Porshia Zimiga, Scoot McNairy, Jennifer Ehle. World Premiere. Fiction. Available online for Public.

JURY AWARDS FOR DIRECTING, SCREENWRITING, and EDITING

The Directing Award: U.S. Documentary was presented to Geeta Gandbhir for The Perfect Neighbor / U.S.A. (Director and Producer: Geeta Gandbhir, Producers: Nikon Kwantu, Alisa Payne, Sam Bisbee) — A seemingly minor neighborhood dispute in Florida escalates into deadly violence. Police bodycam footage and investigative interviews expose the consequences of Florida’s “stand your ground” laws. World Premiere. Available online for Public. 

Jury citation: The Directing award goes to a filmmaker of remarkably disciplined vision who turns creative constraints into cinematic power ,creating a searing indictment of “stand your ground laws.” The Directing Award: U.S. Documentary goes to Geeta Gandbhir for The Perfect Neighbor.

The Directing Award: U.S. Dramatic was presented to Rashad Frett for Ricky / U.S.A. (Director, Screenwriter, and Producer: Rashad Frett, Screenwriter: Lin Que Ayoung, Producers: Pierre M. Coleman, Simon TaufiQue, Sterling Brim, DC Wade, Cary Joji Fukunaga, Josh Peters, Mark Steele) — Newly released after being locked up in his teens, 30-year-old Ricky navigates the challenging realities of life post-incarceration, and the complexity of gaining independence for the first time as an adult. Cast: Stephan James, Sheryl Lee Ralph, Titus Welliver, Maliq Johnson, Imani Lewis, Simbi Kali, Andrene Ward-Hammond. World Premiere. Available online for Public. 

Jury citation: For holding the audience’s hand through each of the intimate and compelling moments of a young man navigating the first days out of the byzantine U.S. prison system, we award the Directing Award: U.S. Dramatic to Rashad Frett for Ricky.

The Directing Award: World Cinema Documentary was presented to Mstyslav Chernov for 2000 Meters to Andriivka / Ukraine (Director and Producer: Mstyslav Chernov, Producers: Michelle Mizner, Raney Aronson-Rath) — Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end. World Premiere. Available online for Public.

Jury citation: For his extraordinarily brave and sensitive film about a single battle in the Russia-Ukraine war, a film with images of shocking and unforgettable beauty and delicate character portraits, the Directing Award: World Cinema Documentary goes to Mstyslav Chernov for 2000 Meters to Andriivka.

The Directing Award: World Cinema Dramatic was presented to Alireza Khatami for The Things You Kill / Turkey, France, Poland, Canada (Director, Screenwriter, and Producer: Alireza Khatami, Producers: Elisa Sepulveda Ruddoff, Cyriac Auriol, Mariusz Włodarski, Michael Solomon) — Haunted by the suspicious death of his ailing mother, a university professor coerces his enigmatic gardener to execute a cold-blooded act of vengeance. Cast: Ekin Koç, Erkan Kolçak Köstendil, Hazar Ergüçlü, Ercan Kesal. World Premiere. Available online for Public.

Jury citation: We could not stop talking about this film. It made us curious and deeply invested in the characters and their rich journey. This effortless, streamlined film does not sacrifice its depth of subject even while dealing with toxic masculinity and the everyday darkness of the soul. This director was masterful in their precision, they were profound yet restrained, and their robust vision pushes us to want more, think more, and do more to be better humans. For this reason we award the Directing Award: World Cinema Dramatic to Alireza Khatami for The Things You Kill.

The Waldo Salt Screenwriting Award: U.S. Dramatic was presented to Eva Victor for Sorry, Baby / U.S.A. (Director and Screenwriter: Eva Victor, Producers: Adele Romanski, Mark Ceryak, Barry Jenkins) — Something bad happened to Agnes. But life goes on… for everyone around her, at least. Cast: Eva Victor, Naomi Ackie, Lucas Hedges, John Carroll Lynch, Louis Cancelmi, Kelly McCormack. World Premiere. Available online for Public. 

Jury citation: For its stunning honesty, moving sense of humor, and an authentic portrait of a young woman living in the aftermath of her sexual assault, we award the Waldo Salt Screenwriting Award to Eva Victor for Sorry, Baby.

The Jonathan Oppenheim Editing Award: U.S. Documentary was presented to Parker Laramie for André is an Idiot / U.S.A. (Director: Anthony Benna, Producers: André Ricciardi, Tory Tunnell, Joshua Altman, Stelio Kitrilakis, Ben Cotner) — André, a brilliant idiot, is dying because he didn’t get a colonoscopy. His sobering diagnosis, complete irreverence, and insatiable curiosity, send him on an unexpected journey learning how to die happily and ridiculously without losing his sense of humor. World Premiere. Available online for Public. 

Jury citation: The nuanced edit of this film allows the audience to see the beauty and humor of our final years. With its larger-than-life protagonist, André is an Idiot allows you to laugh, breathe, and travel through a long and emotional journey with melody, rhythm, and grace. The Jonathan Oppenheim Editing Award: U.S. Documentary goes to Parker Laramie for André is an Idiot.

SPECIAL JURY AWARDS

A U.S. Dramatic Special Jury Award for Acting was presented to Dylan O’Brien for Twinless / U.S.A. (Director, Screenwriter, and Producer: James Sweeney, Producer: David Permut) — Two young men meet in a twin bereavement support group and form an unlikely bromance. Cast: Dylan O’Brien, James Sweeney, Lauren Graham, Aisling Franciosi, Tasha Smith, Chris Perfetti. World Premiere. Available online for Public. 

Jury citation: For portraying two roles in one fearless performance, coupled with an immersive and seamless character study of a set of twins, we award Dylan O’Brien the U.S. Dramatic Special Jury Award for Acting in Twinless.

A U.S. Dramatic Special Jury Award for Ensemble Cast was presented to Plainclothes / U.S.A. (Director and Screenwriter: Carmen Emmi, Producers: Colby Cote, Arthur Landon, Eric Podwall, Vanessa Pantley) — A promising undercover officer assigned to lure and arrest gay men defies orders when he falls in love with a target. Cast: Tom Blyth, Russell Tovey, Maria Dizzia, Christian Cooke, Gabe Fazio, Amy Forsyth. World Premiere. Available online for Public. 

Jury citation: For their complex performances that stayed with us until the riveting final frames and for painting the delicate tale of a police officer hiding his sexuality in the ’90s, we award the U.S. Dramatic Special Jury Award for Ensemble Cast to Plainclothes.

A U.S. Documentary Special Jury Award for Archival Storytelling was presented to Selena y Los Dinos / U.S.A. (Director: Isabel Castro, Producers: Julie Goldman, Christopher Clements, J. Daniel Torres, David Blackman, Simran Singh) — Selena Quintanilla — the “Queen of Tejano Music” — and her family band, Selena y Los Dinos, rose from performing at quinceañeras to selling out stadium tours. The celebration of her life and legacy is chronicled through never-before-seen footage from the family’s personal archive. World Premiere. Available online for Public. 

Jury citation: This award goes to a film that transported us to a specific time and place, evoking themes of family, heritage, love, and adolescence. The power of the story speaks to the essential nature of the archive — employed in this film to chart the emergence of a once-in-a-generation talent. The winner of the U.S. Documentary Special Jury Award for Archival Storytelling goes to Selena y Los Dinos.

A U.S. Documentary Special Jury Award was presented to Life After / U.S.A. (Director: Reid Davenport, Producer: Colleen Cassingham) — In 1983, a disabled Californian woman named Elizabeth Bouvia sought the “right to die,” igniting a national debate about autonomy, dignity, and the value of disabled lives. After years of courtroom trials, Bouvia disappeared from public view. Disabled director Reid Davenport narrates this investigation of what happened to Bouvia. World Premiere. Available online for Public. 

Jury citation: This Special Jury Award goes to a film that asks profound, unsettling questions about life and death, individual autonomy vs public policy, and what defines — and who determines — the quality of an individual life. The filmmaker’s unflinching approach forces us to examine our assumptions about a person’s right to die… and live. The U.S. Documentary Special Jury Award goes to Life After.

A World Cinema Dramatic Special Jury Award for Creative Vision was presented to Georgi M. Unkovski for DJ Ahmet / North Macedonia, Czech Republic, Serbia, Croatia (Director and Screenwriter: Georgi M. Unkovski, Producers: Ivan Unkovski, Ivana Shekutkoska) — Ahmet, a 15-year-old boy from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else. Cast: Arif Jakup, Agush Agushev, Dora Akan Zlatanova, Aksel Mehmet, Selpin Kerim, Atila Klince. World Premiere. Available online for Public.

Jury citation: World cinema gives us access to a depth of emotion, diversity of characters, and meaningful journeys that are not limited by borders. Our guiding principle was hope and light, and the films in this section have a strong sense of courage and vulnerability. We found all this and more in this film’s progressive characters and distinct tone. For this reason we have chosen to award the World Cinema Dramatic Special Jury Award for Creative Vision to Georgi M. Unkovski for DJ Ahmet.

A World Cinema Dramatic Special Jury Award for Writing was presented to Two Women / Canada (Director: Chloé Robichaud, Screenwriter and Producer: Catherine Léger, Producer: Martin Paul-Hus) — Violette is having a difficult maternity leave. Florence is dealing with depression. Despite their careers and families, they feel like failures. Florence’s first infidelity is a revelation. When having fun is far down the list of priorities, sleeping with a delivery guy could be revolutionary. Cast: Karine Gonthier-Hyndman, Laurence Leboeuf, Félix Moati, Mani Soleymanlou, Sophie Nelisse, Juliette Gariépy. World Premiere. Available online for Public.

Jury citation: For its courageous exploration of female desire, its joyful and comedic tone, and its fearless, complex characters with awakened sexuality — this film exudes freshness, rhythmic editing, and impossible wit. We award the World Cinema Dramatic Special Jury Award for Writing to Chloé Robichaud and Catherine Léger for Two Women.

A World Cinema Documentary Special Jury Award was presented to Mr. Nobody Against Putin / Denmark, Czech Republic (Director and Screenwriter: David Borenstein, Producer: Helle Faber) — As Russia launches its full-scale invasion of Ukraine, primary schools across Russia’s hinterlands are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher goes undercover to film what’s really happening in his own school. World Premiere. Available online for Public.

Jury citation: For the courageous act of documenting the insidious origins of propaganda in Russian schools and for showing us how easy it is to use misinformation to manipulate, the World Cinema Documentary Special Jury Award goes to Mr. Nobody Against Putin.

A World Cinema Documentary Special Jury Award for Freedom of Expression was presented to Coexistence, My Ass! / U.S.A., France (Director and Producer: Amber Fares, Screenwriter and Producer: Rachel Leah Jones, Screenwriter: Rabab Haj Yahya, Producer: Valérie Montmartin) –– Comedian Noam Shuster Eliassi creates a personal and political one-woman show about the struggle for equality in Israel/Palestine. When the elusive coexistence she’s spent her life working toward starts sounding like a bad joke, she challenges her audiences with hard truths that are no laughing matter. World Premiere. Available online for Public.

Jury citation: For showing us how to have a challenging conversation with humor and humanity and for having the courage to say things others cannot, the World Cinema Documentary Special Jury Award for Freedom of Expression goes to Coexistence, My Ass!. 

A NEXT Special Jury Award for Ensemble Cast was presented to Mad Bills to Pay (or Destiny, dile que no soy malo) / U.S.A. (Director and Screenwriter: Joel Alfonso Vargas, Producer: Paolo Maria Pedullà) –– Rico’s summer is a mix of chasing girls and hustling homemade cocktails out of a cooler on Orchard Beach, the Bronx. But when Destiny, his teenage girlfriend, crashes at his place with his family, it’s only a matter of time before his carefree days come spiraling down. Cast: Juan Collado, Destiny Checo, Yohanna Florentino, Nathaly Navarro. World Premiere. Fiction. Available online for Public.

Jury citation: I’d like to acknowledge a film with characters that really drew me in, who are filled with heart and fire: a hopeless central character who can’t seem to get his shit together, a young teen who embraces an unexpected pregnancy, a sister who can’t deal with her brother’s idiocy, and a mother who fiercely loves her family. These actors brought the reality, comedy, and love of these characters to delightful, vibrant life, so it’s my pleasure to bestow the NEXT Special Jury Award for Ensemble Cast to Mad Bills to Pay (or Destiny, dile que no soy malo).

PREVIOUSLY ANNOUNCED 2025 SUNDANCE FILM FESTIVAL AWARDS:

Jury prizes for short filmmaking were announced on January 28 at the Short Film Awards Ceremony & Party presented by Vimeo at The Park in Park City: 

The Short Film Grand Jury Prize was awarded to: Theo Panagopoulos for The Flowers Stand Silently, Witnessing / U.K. (Director: Theo Panagopoulos, Producer: Marissa Keating) — When a filmmaker of Palestinian descent based in Scotland unearths a rarely seen film archive of Palestinian wildflowers, he decides to reclaim the footage. North American Premiere. Available online for Public.

Jury citation: For a timely, urgent, and beautiful examination of colonialism and a moving reclaiming of history through the use of archival footage, the Short Film Grand Jury Prize goes to The Flowers Stand Silently, Witnessing, directed by Theo Panagopoulos.

The Short Film Jury Award: U.S. Fiction was awarded to: Jazmin Garcia for Trokas Duras / U.S.A. (Director and Screenwriter: Jazmin Garcia, Screenwriter: Benjamin Benji Moreno, Producers: Sally Su Jin Oh, Mayte Avina, Scott O’Donnell) — Journeying through the interior landscapes of a Jornalero’s dreams, his waking reality in Los Angeles, and what it looks like when a group of people relegated to serving others labors for their own elevation of body and spirit. Cast: Benjamin Benji Moreno, La Chapis, El Barrio, Luis Valentan, Elmer Mayorga, Tricia Sarmento. World Premiere. Available online for Public.

Jury citation: For a visionary perspective and a stunning visual narrative approach that creates an unequivocally empowering and intimate portrait, the Short Film Jury Award for U.S. Fiction goes to Trokas Duras, directed by Jazmin Garcia.

The Short Film Jury Award: International Fiction was awarded to: Chheangkea for Grandma Nai Who Played Favorites / Cambodia, France (Director and Screenwriter: Chheangkea, Producers: Daniel Mattes, Karen Madar) — During her chaotic family’s Qingming visit, dead Grandma Nai sneaks away from her peaceful afterlife after overhearing that her Queer grandson is about to get engaged to a woman. Cast: Bonrotanak Rith, Saroeun Nay, Sokun Theary Ty, Phalla Im, Chansophorn Buth, Ponleu Chab. World Premiere. Available online for Public.

Jury citation: For the perfect execution of a truly hilarious and relatable exploration of self- and family acceptance within a fantastical framework, we give the Short Film Jury Award for International Fiction to Grandma Nai Who Played Favorites, directed by Chheangkea.

The Short Film Jury Award: Nonfiction was awarded to: Christopher Radcliff for We Were The Scenery / U.S.A. (Director: Christopher Radcliff, Producers: Cathy Linh Che, Jess X. Snow) — In 1975, Hoa Thi Le and Hue Nguyen Che fled from Vietnam by boat and docked in the Philippines, where they were utilized as background extras during the filming of Apocalypse Now. World Premiere. 

Jury citation: For a wholly unique, witty, joyful perspective on art-making, the impact of film, and how they intersect with real lives, the Short Film Jury Award for Nonfiction goes to We Were The Scenery, directed by Christopher Radcliff.

The Short Film Jury Award: Animation was awarded to: Natalia León for Como si la tierra se las hubiera tragado / France (Director and Screenwriter: Natalia León, Producer: Luc Camilli) — Olivia, a young woman living abroad, returns to her hometown in Mexico in the hope of reconnecting with her past. Cast: Carolina Zárate Wall, Natalia León, GAYA, Rebeca Magdely Gonzalez Alfaro. World Premiere. Available online for Public.

Jury citation: For an immersive and deeply intimate approach to a tragic epidemic, using the craft of animation in surprising and poignant ways, the Short Film Jury Award for Animation goes to Como si la tierra se las hubiera tragado, directed by Natalia León.

The Short Film Special Jury Award for Animation Directing was awarded to: May Kindred-Boothby for The Eating of an Orange / U.K. (Director and Screenwriter: May Kindred-Boothby) — Convention and sexuality are explored through slugs, rituals, and the eating of an orange. International Premiere. Available online for Public.

Jury citation: For the intricate crafting of a deeply emotional tale told without dialogue and traditional narrative structure, and for a fresh take on female empowerment, the Short Film Special Jury Award for Animation Directing goes to The Eating of an Orange, directed by May Kindred-Boothby.

The Short Film Special Jury Award for Directing was awarded to: Loren Waters for Tiger / U.S.A. (Director, Screenwriter, and Producer: Loren Waters, Producer: Dana Tiger) — A portrait of award-winning, internationally acclaimed Indigenous artist and elder Dana Tiger, her family, and the resurgence of the iconic Tiger T-shirt company. World Premiere. Available online for Public.

Jury citation: For the inspired direction and innovative vision that tells the moving story of a family’s cultural and artistic legacy, the Short Film Special Jury Award for Directing goes to Tiger, directed by Loren Waters.

The 2025 Alfred P. Sloan Feature Film Prize for an outstanding feature film about science or technology was awarded to SALLY, screening in the Premieres category. The filmmakers received a $25,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation. 

The Sundance Institute | Amazon MGM Studios Producers Award for Nonfiction went to Danielle Varga for Seeds / U.S.A. (Director and Producer: Brittany Shyne, Producers: Danielle Varga, Sabrina Schmidt Gordon) — An exploration of Black generational farmers in the American South reveals the fragility of legacy and the significance of owning land. World Premiere. Available online for Public. 

The Sundance Institute | Amazon MGM Studios Producers Award for Fiction went to Joe Pirro for The Wedding Banquet / U.S.A. (Director and Screenwriter: Andrew Ahn, Screenwriter and Producer: James Schamus, Producers: Anita Gou, Joe Pirro, Caroline Clark) — Frustrated with his commitment-phobic boyfriend, Chris, and out of time, Min makes a proposal: a green card marriage with his friend Angela in exchange for expensive in vitro fertilization treatments for her partner, Lee. Plans change when Min’s grandmother surprises them with an elaborate Korean wedding banquet. Cast: Bowen Yang, Lily Gladstone, Kelly Marie Tran, Han Gi-chan, Joan Chen, Youn Yuh-jung. World Premiere. Fiction.

The Sundance Institute | Adobe Mentorship Award for Nonfiction went to Vivien Hillgrove, and the Sundance Institute | Adobe Mentorship Award for Fiction went to Brian A. Kates. 

The Sundance Institute | NHK Award went to Lloyd Lee Choi for Yakult Ajumma (Korea, Canada, U.S.A).

Sundance Institute

As a champion and curator of independent stories, the nonprofit Sundance Institute provides and preserves the space for artists across storytelling media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings a global cohort of working artists together to learn from Sundance advisors and connect with each other in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Through the Sundance Institute artist programs, we have supported such projects as Beasts of the Southern Wild, The Big Sick, Bottle Rocket, Boys Don’t Cry, Boys State, Call Me by Your Name, Clemency, CODA, Drunktown’s Finest, The Farewell, Fire of Love, Flee, The Forty-Year-Old Version, Fruitvale Station, Half Nelson, Hedwig and the Angry Inch, Hereditary, Honeyland, The Infiltrators, The Last Black Man in San Francisco, Little Woods, Love & Basketball, Me and You and Everyone We Know, Mudbound, Nanny, One Child Nation, Pariah, Raising Victor Vargas, Requiem for a Dream, Reservoir Dogs, RBG, Sin Nombre, Sorry to Bother You, Strong Island, Summer of Soul (…Or, When the Revolution Could Not Be Televised), Swiss Army Man, A Thousand and One, Top of the Lake, Walking and Talking, Won’t You Be My Neighbor?, and Zola. Through year-round artist programs, the Institute also nurtured the early careers of such artists as Paul Thomas Anderson, Wes Anderson, Gregg Araki, Darren Aronofsky, Lisa Cholodenko, Ryan Coogler, Nia DaCosta, The Daniels, David Gordon Green, Miranda July, James Mangold, John Cameron Mitchell, Kimberly Peirce, Boots Riley, Ira Sachs, Quentin Tarantino, Taika Waititi, Lulu Wang, and Chloé Zhao. Support Sundance Institute in our commitment to uplifting bold artists and powerful storytelling globally by making a donation at sundance.org/donate. Join Sundance Institute on Facebook, Instagram, TikTok, X (formerly Twitter), and YouTube.

Sundance Film Festival®

The Sundance Film Festival, a program of the nonprofit Sundance Institute, is the preeminent gathering of original storytellers and audiences seeking new voices and fresh perspectives. Since 1985, hundreds of films launched at the Festival have gone on to gain critical acclaim and reach new audiences worldwide. The Festival has introduced some of the most groundbreaking films and episodic works of the past three decades, including Daughters, Dìdi (弟弟), A Real Pain, Sujo, Thelma, Will & Harper, Past Lives, 20 Days in Mariupol, The Eternal Memory, Still: A Michael J. Fox Movie, A Thousand and One, Pretty Baby: Brooke Shields, Rye Lane, Navalny, Fire of Love, Flee, CODA, Passing, Summer of Soul (…Or, When the Revolution Could Not Be Televised), Minari, Clemency, Never Rarely Sometimes Always, Zola, O.J.: Made in America, On the Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Top of the Lake, Won’t You Be My Neighbor?, Hereditary, Call Me by Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs, and sex, lies, and videotape. The program consists of fiction and nonfiction features and short films, series and episodic content, innovative storytelling, and performances, as well as conversations, and other events. The Festival takes place in person in Utah, as well as online, connecting audiences to bold new artists and films. The 2025 Festival will be held January 23–February 2, 2025. Be a part of the Festival at festival.sundance.org and follow the Festival on Facebook, Instagram, TikTok, X (formerly Twitter), and YouTube.

The Festival is a program of the nonprofit Sundance Institute. To date 2025 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire Reserve®, Adobe; Leadership Sponsors – Audible, Casamigos, Omnicom Group, Shutterstock, United Airlines; Sustaining Sponsors – Canon U.S.A., Inc., Darling&Co., Dropbox, World of Hyatt®, IMDbPro, MACRO, Rabbit Hole Bourbon & Rye, University of Utah Health, Vimeo, THE WALT DISNEY COMPANY, White Claw Hard Seltzer; Media Sponsors – Deadline Hollywood, IndieWire, Los Angeles Times, Variety, Vibe, Vulture, TheWrap. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Please visit festival.sundance.org for more. 

# # #

MEDIA CONTACTS: Tammie Rosen, tammie_rosen@sundance.org; Tiffany Duersch, tiffany_duersch@sundance.org; Sylvy Fernández, sylvy_fernandez@sundance.org; Alex Courides, alex_courides@sundance.org

IMAGES AVAILABLE HERE