By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
(L–R) Joan Tewkesbury and Joan Darling at the 2018 Sundance Institute Directors Lab (Photo by Brandon Cruz) By Lucy Spicer It’s easy to feel cynical
[Pictured: A still from Sujo] By Stephanie Ornelas “There are so many stories and layers to be told within Ciudad de México,” Paloma Riojas says over
By Shahnaz Mahmud A screenwriter on the rise. A long forgotten script. A producer who unearthed it and held onto the dream of making it
By Stephanie Ornelas Mira Nair first aspired to be an actor, but working as a street performer in India made her realize she was destined
By Stephanie Ornelas Sundance Collab participants signed in from around the world to listen to Sofia Coppola (Lost in Translation, Marie-Antoinette) talk about her new
One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent filmmaking. While we
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