By Katie Small Bloody and laced with grim satire, PIGGY is a psychologically thrilling, nail-biting tale of justice, redemption, and the vulnerability of a tormented
by Bailey Pennick Halfway through The Janes, the new feature documentary from Tia Lessin and Emma Pildes, one of the titular Janes mentions a Bob
When it comes to championing the new voices, leaders, and narratives of independent storytelling, we’re ready to celebrate at the drop of a hat. Today,
By Bailey Pennick It’s well known that here at the Sundance Institute we’re committed to championing independent storytelling in all forms. By supporting the next
By Bailey Pennick There’s something special about the Capitol Hill space in which Northwest Film Forum operates in Seattle, Washington. “It’s like this old auto
by Bailey Pennick Up until yesterday, our tenth and final competitor in the U.S. Documentary section was simply known as “Untitled LP9.” Even in the
Nearly 30 years after it premiered at the 1993 Sundance Film Festival and won the Special Jury Prize for Outstanding Achievement in a First Feature,
by Bailey Pennick “Yeah, mama.film is in an interesting evolution,” says Lela Meadow-Conner with a light laugh over Zoom. The executive director and founder of
By Vanesssa Zimmer The Short Film Program, says longtime volunteer Nori Huntsman, of West Valley City, Utah, is her favorite part of the Sundance Film
By Bailey Pennick Jen Richards is being very honest right now. “As for the process of filming and the film itself, I found it a
On Thursday, January 27, we gathered digitally to honor all of the editors whose work screened at the 2022 Festival, across all categories (fiction and
By Stephanie Ornelas When four leaders and program officers of newly-formed Color Congress were asked to have a bold conversation about the political and cultural
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