Category: Festival

‘Minari’ Breaks Down Preconceptions of Rural Life, Korean American Immigrant Life to Find the Universal

“There are more people in this crowd than in the town where I grew up,” explained director Lee Isaac Chung at the Eccles Theatre before the second Sundance Film Festival screening of his feature Minari.
The film is a very personal story for Chung, based on memories from when he was six years old and growing up in rural Arkansas. “I thought, I just want to throw it all out there and go for the film that I’ve always wanted to make.

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Alfred P. Sloan Foundation Presents Feature Film Prize to Tesla, Announces New Grants to Artists at 2020 Sundance Film Festival

Winners of Commissioning Grant, Episodic Storytelling Grant and Lab Fellowship Revealed
Director-Screenwriter Michael Almereyda Honored
Park City, Utah — At a reception at the 2020 Sundance Film Festival today, the beneficiaries of $70,000 in grants from Sundance Institute and the Alfred P. Sloan Foundation were revealed. Doron Weber, Vice President and Program Director at the Alfred P.

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Horror Film ‘Relic’ Explores Dementia While Avoiding the “Crazy Old Lady Horror Trope”

The seed for the story that would become Relic was planted in writer/director Natalie Erika James’s head years ago when she visited her grandmother, who was afflicted with Alzheimer’s disease, at her grandmother’s home in rural Japan.
“It was the first time where she couldn’t remember who I was, and so there were a lot of feelings of guilt, about having not gone earlier and spending more time with her,” the Melbourne-based filmmaker told the audience after the project screened at the Park Avenue Theatre on Monday night.

It was really important to me that the audience really felt for her and her experience, and that it wasn’t just a crazy old lady horror trope.

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Michael Almereyda’s ‘Tesla’ Was Inspired by Derek Jarman—and ‘Drunk History’

Before the world premiere of his new movie, Tesla, Michael Almereyda had some words of caution for the audience. “It’s not a conventional biopic of a neurotic mathematical inventor, so you can run for the door if you expect that,” he said. “What you’re about to see is influenced by a lot of literature written on Tesla, but also movies by Derek Jarman, novels by Henry James, and certain episodes of Drunk History.

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Jude Law in ‘The Nest’: An Isolated Country Estate Is the Wrong Move for a Family on the Edge

Sean Durkin, who won a Directing Award for his 2011 Sundance Film Festival film, Martha Marcy May Marlene, premiered his new ’80s-set movie The Nest Sunday night at the Eccles Theatre.
The audience was treated to a pre-film mini-concert by Richard Reed Parry, the film’s composer, who performed selections from the score on stand-up bass, accompanied on piano and clarinet. (Parry’s previous film scores include Boyhood and The Life of Walter Mitty.

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With an Oedipal Twist, ‘Summer White’ Sets Fire to Your Typical Coming-of-Age Narrative

Immediately after his undeniably Freudian mother-son relationship drama Summer White (Blanco de Verano) finished rolling at the Egyptian Theatre, Mexico City–based writer/director Rodrigo Ruiz Patterson was quick to get one thing out of the way.

While the film’s fire-starting main character is also named Rodrigo, the plot is (mostly) fictional. “This story started as something autobiographical, but then at some point, when I started writing with Raul, we figured out that my life wasn’t that interesting, so for the sake of good drama, we decided to fictionalize and make a more interesting film,” Ruiz Patterson said with a laugh, reassuring the audience at his film’s world premiere that nobody in his past ever burned down an RV.

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Sundance Institute Announces Leya Hale as 2020 Merata Mita Fellow

Now in its Fifth Consecutive Year, Fellowship Honors Artistic Contributions
of Late Māori Filmmaker
Park City, Utah — Sundance Institute today announced director and producer Leya Hale as the 2020 recipient of the Sundance Institute Merata Mita Fellowship, an annual fellowship named in honor of the late Māori filmmaker Merata Mita (1942-2010). The announcement was delivered today at the 2020 Sundance Film Festival by N. Bird Runningwater, Director of the Sundance Institute’s Indigenous Program.

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With ‘The 40-Year-Old Version,’ Radha Blank Reconfigures the Indie Film Canon

Shot in 21 days in New York City on black-and-white film using largely handheld cinematography, The 40-Year-Old Version has a comfortable, classic lo-fi ’90s indie aesthetic about it—and that’s all part of first-time feature director Radha Blank’s design.
“I was raised by a cinephile, so I was raised on films like Night of the Hunter, Lost Weekend—you name it,” the native New Yorker said at the film’s world premiere at the 2020 Sundance Film Festival. “I wanted to do something in a way to retrofit this story and film into this canon of films, because I feel this film should have been told 30 or 40 years ago.

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