Inside the Archives: Celebrating the Power of Women-Driven Cinema

Director Gina Prince-Bythewood reviews the script for her beloved film “Love and Basketball,” which she workshopped at the 1998 Directors Lab before it premiered at the 2000 Sundance Film Festival. Photo by Sandria Miller

By Archives team

As we were combing through photos of Isabella Rossellini to highlight her in honor of her 2025 Academy Award nomination, we came across this great portrait from the 2004 Sundance Film Festival of the Until the Violence Stops film team (below). Its message and energy prompted us to dig deeper into the archives to find more images and quotations from women artists who have participated at the Sundance Institute Labs and Sundance Film Festival over the years in honor of Women’s History Month. 

By no means is this selection comprehensive, but we wanted to highlight some of the remarkable women channeling their creativity to share their unique stories and to elevate the voices of others. 

Once you’ve checked out our list, learn more about the artists’ films and their involvement with the Institute at history.sundance.org

[From bottom left, clockwise] Donning iconic beanies, Isabella Rossellini, Eve Ensler, Jane Fonda, and director Abby Epstein promote their film “Until the Violence Stops” at the 2004 Sundance Film Festival. Photo by Jeff Vespa/WireImage

“This film is recognition that facts and truth are not the same thing. In recognizing this difference, I acknowledge that I can only represent the truth as I have witnessed it. To this effort I bring my biggest strengths, my experiences both beautiful and painful, my culture and its legacy of perseverance, and my hopes for a better world.” — Sabaah Folayan, Whose Streets? Co-director

“Whose Streets?” film still. Courtesy of “Whose Streets?”
Dr. Ruth Westheimer speaks to attendees during the 2019 Women at Sundance Celebration. Dr. Ruth was the subject of Ryan White’s “Ask Dr. Ruth,” an inspiring and entertaining portrait of a trailblazer that reveals the darkness from which Dr. Ruth emerged to bring light to so many people. Photo by Dia Dipasupil/Getty Images
Jennifer Brea during the "Unrest" Q&A at the 2017 Sundance Film Festival. Photo by Stephen Speckman

“It was not an emotional decision; it was a practical one. I had always kept written diaries but when I first became bedridden, I lost the ability to read and write. My whole life, I wrote to understand what I thought and what I felt. And I was going through the worst thing that had ever happened to me, and suddenly I had no way to express that or possibly understand it. All I had were these overwhelming emotions.” — Jennifer Brea, Unrest director [describing the first time filming herself]

Director Ayoka Chenzira on the 1984 Directors Lab set of her coming-of-age film “Violette (Balancing Dreams),” which was released a decade later as “Alma’s Rainbow.” Photo by unknown
Director Shoshannah Stern introduces her film “Marlee Matlin: Not Alone Anymore” at the 2025 Sundance Film Festival. Inspired to see a deaf woman like herself pursue her acting dreams, Stern provides an in-depth look at Matlin’s life and career. Photo by Stephen Speckman

 

 

 

“The mission of the journalist has never changed. It is to hold power to account.” — Maria Ressa, subject of Ramona Diaz’s A Thousand Cuts (2020 Sundance Film Festival)

Maria Ressa during the “Doha Debates Presents Targeted for Telling the Truth” panel. Photo by Jovelle Tamayo
D. Smith, director of the groundbreaking documentary “KOKOMO CITY,” which centers on the lives of Black transgender sex workers in America, takes the stage at the Blackhouse Foundation panel at the 2023 Sundance Film Festival. Photo by Jen Fairchild

 

 

“I have faith in each of us telling our stories in whatever way we can because that is the way we discover we’re not alone.” — Gloria Steinem, subject of The Glorias (2020 Sundance Film Festival)

Gloria Steinem on the press line for Julie Taymor's "The Glorias." Photo by Jemal Countess
Rebecca Landsberry-Baker shows off a necklace on the press line before the 2023 Sundance Film Festival premiere of her film “Bad Press,” which she co-directed. The film, which went on to win the U.S. Documentary Special Jury Award: Freedom of Expression, depicts Indigenous journalist Angel Ellis as she fights against the Muscogee Nation censoring their free press. Photo by Jovelle Tamayo
Radha Blank and Eduardo Mayen during the 2017 Directors Lab. Photo by Jonathan Hickerson

 

 

“I didn’t sit down and say ‘I want to do something groundbreaking.’ I just wanted to include myself, and when I say ‘myself’ I mean ‘us.’ I am unapologetically Black, and I made the film for us and anyone else who enjoys the story.” — Radha Blank, director “The 40-Year-Old Version” (2020 Sundance Film Festival)

“Daughters” co-director Angela Patton celebrates her film’s Audience Award: U.S. Documentary win at the 2024 Sundance Film Festival. The film tenderly chronicles four young girls preparing for a Daddy Daughter Dance with their fathers who are incarcerated at a Washington, DC jail. Photo by Maya Dehlin

 

“I make films because I see something that I believe must be shared with the world — even if it is just a glimpse or a taste of it. The dedicated revolutionaries that are still fighting in Egypt may seem like they’re a world away, but when you hear them and see them, you see that they are closer than you ever imagined.” — Jehane Noujaim, The Square director

"The Square" film still. Courtesy of "The Square"
Michelle Satter, Sundance Institute Founding Senior Director, Artist Programs, at the 1987 Directors Lab. Satter has helped shepherd the Institute labs through the years, making them the vital creative spaces they are today. Photo by Roger Christiansen

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