By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Carol Kane, “Between the Temples” (photo by Presley Ann/Shutterstock for Sundance) By Matthew Eng There’s a scene early in Nathan Silver’s Between the Temples where
by Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Writer-director Jennifer Kent’s “The Babadook” is returning to the big screen on September 19 to celebrate its 10th anniversary. (Photo courtesy of IFC Films) By
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
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