Visionary Storytellers to Receive Individualized Mentorship from Industry Notables and
Year-Round Suite of Creative and Tactical Support
Los Angeles, CA — Thirteen new independent feature projects from the U.S., Cuba, Kenya, Mexico, Morocco, and Palestine
have been selected for the 2018 Sundance Institute Directors and Screenwriters Labs. At the Directors Lab (May 28-June
21), filmmakers will rehearse, shoot and edit key scenes from their scripts, working closely with industry advisors, actors,
and production crews to help drive creative growth via an immersive and hands-on experience at the Sundance Resort in Utah.
The Screenwriters Lab from June 23-28 fosters a similar environment of dynamic inspiration as participants focus
on the art and craft of screenplay writing with one-on-one support from Institute advisors . Overseen by Feature Film Program
Founding Director
Michelle Satter and Labs Director
Ilyse McKimmie, the Labs begin a year-round continuum of customized support for Fellows, which can include creative
mentorship, granting, and guidance from industry professionals.
“We’re very excited to be supporting this remarkable group of storytellers whose work is defined by their bold and
singular visions,” said
Satter. “Using the art form of cinema to explore contemporary issues and our essential humanity, their films
are deeply personal, powerful, and timely. We look forward to continuing our partnership with these artists as creative
and strategic advocates throughout their filmmaking process.”
Advisors for the month include
Robert Redford, Gyula Gazdag (Artistic Director for the Directors Lab),
Miguel Arteta, John August, Ritesh Batra, Charlotte Bruus Christensen, Lisa Zeno Churgin, Sebastian Cordero, Joan Darling,
Rodrigo Garcia, John Gatins, Lesli Linka Glatter, Keith Gordon, Randa Haines, Liz Hannah, Joe Hutshing, Azazel Jacobs,
So Yong Kim, Ken Kwapis, Christine Lahti, Kasi Lemmons, David Lowery, Doug McGrath, Anthony Mackie, Walter Mosley, Dean
Parisot, Rodrigo Prieto, Howard Rodman
(Artistic Director for the Screenwriters Lab),
Jennifer Salt, Susan Shilliday, Terilyn Shropshire, Peter Sollett, Dana Stevens, Robin Swicord, Joan Tewkesbury, Dylan
Tichenor, John Toll, Audrey Wells, Tyger Williams,
and
Doug Wright.
Since 1981, the Feature Film Program has supported an extensive list of leading-edge independent filmmakers at Labs, including
Ryan Coogler, Cary Fukunaga, Dee Rees, Benh Zeitlin, Haifaa Al Mansour, Damien Chazelle, Gina Prince-Bythewood, Marielle
Heller, Paul Thomas Anderson, Miranda July
and
Quentin Tarantino, among many others. Lab-supported films that premiered at the 2018 Sundance Film Festival to
be released this year include
American Animals, written and directed by
Bart Layton,
Monsters and Men, written and directed by
Reinaldo Marcus Green,
Nancy, written and directed by
Christina Choe,
Night Comes On, co-written by
Angelica Nwandu and
Jordana Spiro and directed by
Jordana Spiro,
Sorry to Bother You, written and directed by
Boots Riley, and
We the Animals, co-written by
Daniel Kitrosser and
Jeremiah Zagar and directed by
Jeremiah Zagar.
Directors Lab projects
Doha – The Rising Sun
(U.S.A./Morocco) /
Eimi Imanishi (writer/director): Disheartened by her deportation from Europe, Mariam is forced to return home
to Western Sahara. Adrift in the very place that once was her home, she searches for the means to assert agency over her
own life.
Eimi Imanishi is a Japanese American filmmaker who grew up in France. She directed two award-winning short films:
Battalion to My Beat, which screened at the Toronto International Film Festival and won the Canal+ Award for Best
International Short at Clermont-Ferrand in 2017, and
One-Up, which won Best Narrative Short at Indie Memphis, was released online as a Vimeo Staff Pick film, and won Short
of the Week. Imanishi was supported at the 2018 Sundance Institute Screenwriters Lab and the Film Independent Directors
Lab of the same year.
Hawa Hawaii
(Kenya) /
Amirah Tajdin (writer/director): Hamedi, a Muslim drag queen, returns home to be with his dying mother. Back in
Mombasa for the first time in decades, yet still facing his mother’s longstanding disapproval of his lifestyle, he
decides that Taarab, the fading art of Swahili orchestral singing, may be the only way to mend their deeply fractured relationship.
Amirah Tajdin is a Kenyan artist and filmmaker of Afro Arab and Indian heritage. Her co-directed short,
Marea de Tierra, premiered in Directors’ Fortnight at the Cannes Film Festival as part of the Chile Factory
Residency. The film also screened at the 2016 Sundance Film Festival and went on to play at over 20 film festivals worldwide.
Her short films
Fluorescent Sin and
His To Keep played various festivals, with
Fluorescent Sin garnering Jury Special Mention awards at the Zanzibar International Film Festival and Film Africa
London.
The Huntress
(U.S.A./Mexico) /
Suzanne Andrews Correa (writer/director): In Juarez, Mexico, where violence against women goes unnoticed and unpunished,
an unlikely heroine emerges to seek justice.
Suzanne Andrews Correa is a Mexican American screenwriter and director and a recent MFA graduate of the Film Program at Columbia
University. Her latest short,
La Casa de Beatriz, premiered at the 2017 Morelia International Film Festival, received awards from the Princess Grace
Foundation and Directors Guild of America, and can now be seen on HBO Latino/HBO GO/HBO NOW. Andrews Correa was supported
at the 2018 Sundance Institute Screenwriters Lab, where she was the recipient of the Sundance Latinx Fellowship, and a
winner of the Atlanta Film Festival feature screenplay competition.
Josephine
(U.S.A.) /
Beth de Araújo (writer/director): After accidentally witnessing a rape in Golden Gate Park, eight-year-old Josephine
is plunged into a maelstrom of fear and paranoia. Surrounded by adults helpless to assuage her and unable to understand
her, she acts out with increasing violence, searching for any way to regain control of her own safety.
Beth de Araújo is a writer and director recently featured in
Filmmaker Magazine’s 25 New Faces of Independent Film. Her feature screenplay,
Josephine, participated in the 2018 Sundance Screenwriters Lab and is a recipient of the SFFILM Rainin Filmmaking
Grant.
Josephine will mark her feature directorial debut. In 2017, Araújo directed 2 episodes of television for Lifetime
Movie Network and was a shadowing director within the Ryan Murphy HALF Program. Her recent short film,
I Want To Marry A Creative Jewish Girl, was shot through the AFI Directing Workshop for Women, based on her Gawker
essay of the same name.
The Life and Death of Cassandro
(U.S.A.) /
Roger Ross Williams (co-writer/director) and
David Teague (co-writer): Saúl Armendáriz, a gay lucha libre wrestler, creates a powerful and popular alter
ego named Cassandro to help him fight in the ring and face his personal demons. When Cassandro begins to take control,
this superhero story gets turned on its head as it looks like Saúl’s alter ego may become his downfall.
Roger Ross Williams is the first African American director to win an Academy Award for his short film
Music By Prudence. Williams has directed a wide variety of acclaimed documentary films including
God Loves Uganda, which was shortlisted for an Academy Award, and
Life, Animated, which was nominated for an Academy Award in 2017. He is on the Board of Governors for the Academy
of Motion Pictures Arts and Sciences representing the Documentary branch and serves on the Diversity Committee.
The Life and Death of Cassandro will mark his debut as a fiction feature director.
David Teague is a writer and documentary film editor. He has edited five Oscar-nominated documentaries, including one winner.
His work includes
Life, Animated, Cutie and the Boxer,
The Departure, E-TEAM,
Mondays at Racine, and
Freeheld.
Shock Labor
(Cuba) /
Marcos
Díaz
Sosa (writer/director): Cuba, 1988. Wilma struggles to maintain a small farm in the Cuban countryside while caring
for her disabled husband, but her fortunes change when she is discovered to be a talented skeet shooter who can represent
her country. As Wilma rises to stardom, a tornado sweeps her away to a vast luxury resort. Though she finds herself lauded
by her country’s ruling class, Wilma realizes that there is no place like home and knows she must find her way back
to her farm.
Marcos Díaz Sosa is a Cuban film director and playwright. At the age of 17, he directed
Fractal, a 60-minute documentary that won an award at the fifth Muestra Joven in Cuba. His short film
Natural Phenomena premiered in competition at the Guadalajara Film Festival. He has worked with the State Theatre
of Jena, Germany, and co-directed the play
Bad Taste at the Offene Welt Internationales Festival, Ludwigshafen, Germany, in 2015.
Wild Indian
(U.S.A.) /
Lyle Mitchell Corbine, Jr. (writer/director): Two Anishinaabe men are inextricably bound together after covering
up the savage murder of a schoolmate. After years of separation following wildly divergent paths, they must finally confront
how their traumatic secret has irrevocably shaped their lives.
Lyle Mitchell Corbine, Jr. is a filmmaker whose most recent short film,
Shinaab, played at the 2017 Sundance Film Festival, 2017 Toronto International Film Festival, and 2017 AFI Fest. He
was supported at the 2017 Sundance Institute Screenwriters Lab and has been a recipient of numerous grants and fellowships
from Sundance Institute, Time Warner Foundation, and the Minnesota State Arts Board.
Wild Indian represents his feature directorial debut.
Wolf in White Van
(U.S.A.) /
Andrew Bruntel (director),
Ben Collins (co-writer), and
Luke Piotrowski (co-writer): Isolated by a disfiguring injury since the age of 17, Sean Phillips is the sole creator
of The Trace Italian, a turn based, fantasy role-playing game run entirely through the mail. When tragedy strikes two of
his young players, Sean is forcoed to re-examine his self-inflicted departure from the world in which most people live.
Based on the novel by John Darnielle.
Andrew Bruntel was born and raised in a rural town on the edge of Pennsylvania’s rust belt. After studying experimental filmmaking
and design in Baltimore, he moved to Los Angeles to work for Mike Mills at The Directors Bureau. He has since become a
director and writer, creating award winning short films, commercials and music videos for artists such as Will Oldham,
St. Vincent, No Age, and Liars.
Ben Collins was born in Alabama and spent the first 24 years of his life in the south. Collins and his wife moved to Los
Angeles in 2009, where he worked in commercial casting for several years. He co-wrote the film
Super Dark Times, which premiered at the Tribeca Film Festival and was released in 2017.
Luke Piotrowski was born in the suburbs of Chicago, moved to the suburbs of Atlanta, and now lives with his family in the
suburbs of Los Angeles. Along with Ben Collins, he co-wrote the 2017 feature
Super Dark Times.
Screenwriters Lab Projects:
The Doubt
(Palestine) /
Ihab Jadallah (writer/director): After twelve years in prison, Ibrahim returns home to his wife and a son he
has never met. He goes about rebuilding his life in the West Bank and begins to bond with his son, Yousef, but when he
begins to doubt whether he is actually the boy’s father, his world starts to tear apart.
The Palestinian filmmaker Ihab Jadallah has written, directed, and produced several highly acclaimed short films, including
The Flower Seller, which screened at the Clermont-Ferrand International Short Film Festival and the Abu Dhabi Film
Festival. The screenplay for his feature
The Doubt was selected for the Development Lab at EICTV in Cuba, and received a grant from the Arab Fund for Arts
and Culture.
The Legend of Ochi
(U.S.A.) /
Isaiah Saxon (writer/director): On the Island of Carpathia, a teenage girl breaks with her Cossack father to protect
a mythical species of animals who communicate using a unique, non-verbal language. In the process, she sheds new light
on the mystery surrounding her dead mother, whose absence from her life is more complicated than it seems.
Isaiah Saxon is a writer-director and a founder of the film and animation studio Encyclopedia Pictura. Isaiah has directed
videos for Björk, Panda Bear, Kanye West, Grizzly Bear, and others. His work explores the uncertainties of our connection
to nature and technology.
Noche de Fuego (Night on Fire)
(Mexico) /
Tatiana Huezo (writer/director): On a remote mountain in coastal Mexico, eight-year-old Ana and her two best friends,
Paula and Maria, grow up in the shadow of cartel violence. They kill snakes, and play dress up in the houses of those who
have fled, creating their own world in the midst of growing violence.
Tatiana Huezo is a Mexican-Salvadorian filmmaker. Her most recent film,
Tempestad, was one of the most acclaimed documentaries of 2016. Following its premiere at the Berlinale, the film
was recognized by the Mexican Film Academy with four awards, including Best Director and Best Documentary Film. Her first
documentary,
The Tiniest Place, was shown in over 50 international film festivals.
Noche En Fuego will be her first fiction feature film.
Quiltro
(U.S.A.) /
Vuk Lungulov-Klotz (writer/director): Feña, a transgender Chilean-American “mutt,” stumbles through
a hectic day, negotiating complicated dynamics with friends, lovers, and family as they navigate new incarnations of their
relationships.
Vuk Lungulov-Klotz is a transgender filmmaker, born in New York City to Chilean and Serbian immigrants. He graduated from
SUNY Purchase Film Conservatory and has been working and living in Brooklyn ever since. His debut feature,
Quiltro, was part of the 2017 Sundance Screenwriters Intensive. His trans-themed short film,
Still Liam, was part of the Inside Out 2017 Toronto LGBT Film Festival, the GAZE international LGBT Film Festival,
and was an award-winner at the Trans Stellar Film Festival.
Righteous Acts
(U.S.A.) /
Alicia Ortega (writer): Homeschooled teenager Judith thinks she’s finally found her people when she joins the
cast of a megachurch hell house, where evangelical teens aim to scare people into salvation. But when she doesn’t land
the coveted role of the Abortion Girl, she convinces herself she’s the only player doing God’s work—and it’s her holy duty
to expose the true wages of sin.
Alicia D. Ortega was born in Washington, D.C., but considers San Antonio her hometown. She holds a B.A. from Stanford and
an MFA from Louisiana State University, where her novel
The Ghost You Deserve won the Robert Penn Warren Award for best MFA thesis. A participant in the 2018 Sundance Screenwriters
Intensive, Ortega recently returned to Texas.
The Sundance Institute Feature Film Program is supported by The Annenberg Foundation; Alfred P. Sloan Foundation; YouTube;
RT Features; Will and Jada Smith Family Foundation; Time Warner Foundation; Universal Filmed Entertainment Group; Amazon
Studios; Hollywood Foreign Press Association; National Endowment for the Arts; Sandra and Malcolm Berman Charitable Foundation;
The Ray and Dagmar Dolby Family Fund; NHK Enterprises, Inc.; John S. and James L. Knight Foundation; SAGindie; Grazka Taylor;
Rena Dillon Cruz and Rene Simon Cruz; Philip Fung – A3 Foundation; Directors Guild of America; and Writers Guild of America,
West.
Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space
for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship
programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance
Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices,
and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as
Mudbound, Get Out, The Big Sick, Strong Island, Blackfish, Top of the Lake, Winter’s Bone, The Wolfpack, Dear White People,
Trapped, Brooklyn, Little Miss Sunshine, 20 Feet From Stardom, Beasts of the Southern Wild
,
Fruitvale Station,
Spring Awakening,
A Gentleman’s Guide to Love and Murder and
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