Before you decide to embark on making a documentary — a process that often takes years, drains your savings, and tries the patience of your friends and family — ask yourself this simple not-so-simple question: Does your film want to get made?
That’s one of the questions filmmaker and Stanford professor Jan Krawitz urged the crowd of would-be filmmakers to consider at the Sundance Institute/Knight Foundation Documentary Workshop at the Hammer Theatre in San Jose, CA, this past August.
Before you shoot even a minute of film, consider, Krowitz suggested, “Does this want to be a film? Not an article? A dance? A painting?”
Krowitz was onstage having a conversation with Richard Ray Perez, the Sundance Institute’s Director of Creative Partnerships, Documentary Film Program before a screening of Perez’s 2014 film Cesar’s Last Fast. The hundred or so guests at the Hammer listened in and asked questions as Perez explained how he discovered that Last Fast, the dramatic story of Latino labor rights activist Cesar Chavez’s dramatic final act of consciousness-raising, was, most definitely, a film.