Category: News

Los Angeles, CA —Sundance Institute renewed agreements with six non-profit organizations as collaborators with the Institute’s Artist Services program – which provides filmmakers with exclusive opportunities for digital distribution, marketing and financing solutions for their work. The Austin Film Society has been added as a new collaborator, and together with Britdoc, The Bertha Foundation, San Francisco Film Society, IFP, Film Independent and Cinereach will consult with the Institute to continue to shape the Artist Services program and its offerings to filmmakers.
“We’re very proud of the Artist Services program we’ve built in the last three years, and to be collaborating with these top film organizations to provide access to distribution for great independent films,  evolve strategies to meet the demands of a shifting distribution landscape and ensure the long-term sustainability of the field,” stated Keri Putnam, Executive Director of Sundance Institute.

What happens when the trajectories of two apparently disparate fields cross paths? What emerges from that intersection point where some of the most creative minds of our time collide like atoms brought together by two thought leaders who, like scientists in a lab, have a hunch that something powerful will happen when you combine proactive elements?

That’s what happened when Robert Redford met with Jeff Skoll. Together they imagined a collaboration that would become Stories of Change: Social Entrepreneurship in Focus Through Documentary Film. The idea was to combine the power of storytelling and the growing social entrepreneurship movement to reframe, examine, and amplify an innovative approach to solving the central issues of our time.

During the last few weeks I have been thinking about what impressed, touched, and moved me the most during our four days Film Forward in San Diego and Tijuana.

Definitely, I was most impressed and emotionally touched by the highly educated, smart and curious young people in Lazaro Cardenas High School in Tijuana.  We talked about who they consider heroes, how they experience humanity and courage, and what the values are that they admire.

The O2, 28 March 2014 — Sundance Institute and The O2 announced today that The One I Love from director Charlie McDowell has been added to the programme of feature films for the third Sundance London film and music festival, 25-27 April at The O2. Tickets to Sundance London screenings and events are now available online.

Turns out, Sundance London filmmakers’ palates rival our own programmers when it comes to cinema—heterogeneous but precise. Some standouts? Probably David Cross’ admission to his days as a fanboy of The Who, and thus his antsy excitement surrounding the Sundance London screening of Lambert & Stamp. 
With individual tickets for Sundance London on sale Friday, March 28, we polled a handful of this year’s filmmakers about which films they are most looking forward to seeing at next month’s Festival.

The O2, 24 March 2014 — Sundance Institute and AEG Europe announced today the programme of feature films, short films and panel discussions for the third Sundance London film and music festival, 25-27 April at The O2. Ticket packages are now available online, and individual tickets will be on sale from 9:00 a.

We’re introducing the 12 new members of our Sundance Institute Alumni Advisory Board, a group of Institute-supported artists who volunteer their time and voices to share their experiences and to help tell the Sundance Institute story. The group represents the range of artists we support each year, including directors, screenwriters, actors, theatre artists and musicians.  These artists have been a vital part of the independent film and theatre community and Sundance Institute family for years, and now take on an even bigger role with the Alumni Advisory Board.

“It feels like we made the music after the movie, it really does,” says Archive founding band member Darius Keeler, referencing the film Axiom and the band’s eponymous album. After all, isn’t that the modus operandi for nearly every film ever made? Perhaps not, or at least not in the case of Archive’s ninth album and first film, which spawned an inverted creative process that involved treating an album as a screenplay and the moving image as a soundtrack. 
Working with director Jesus Hernandez and the Spanish film collective NYSU, Axiom (the album) underwent an unprecedented alchemy of sorts, eventually producing a film that links “the actual lyrics with the picture.

Los Angeles, CA — Sundance Institute and TED today announced an open call for proposals for the second collaboration between the two organizations, which will jointly award $125,000 for a short documentary film project about the work of the 2014 TED Prize winner – Charmain Gooch, Co-founder and director of Global Witness. The Institute’s Documentary Film Program will accept proposals March 18 through May 1, 2014 at www.sundance.

Los Angeles, CA — Sundance Institute today announced a significant expansion of its renowned labs for independent artists to include dedicated support for writers and creators of series for television and online platforms. The first Sundance Institute Episodic Story Lab will be held in Fall 2014 at the Sundance Resort in Sundance, Utah.
Building on the Institute’s 30-year legacy of developing new work from storytellers with distinctive and risk-taking stories, this new initiative addresses the need for more opportunities for learning and mentorship of singular and diverse voices in scripted TV and online series.

Park City, UT — Sundance Institute and the President’s Committee on the Arts and the Humanities announced today that Film Forward: Advancing Cultural Dialogue will host free screenings of eight films with moderated discussions, panels and artist roundtables in Harrisburg, Lancaster, Centre County and Philadelphia, Pennsylvania. For a full schedule of events in Pennsylvania visit sundance.org/filmforward.

The experience of sharing Dancing in Jaffa with the San Diego and Tijuana communities was very profound for me, both in terms of people’s reaction to the film, and the stimulating dialogue that later ensued. 
Even though Southern California and Mexico are far away from Jaffa, these audiences were able to identify with the children depicted in the film — Noor, Alaa and Lois — in a deep way. This enabled me to see firsthand how the issues portrayed in the film are relevant in other parts of the world.