Category: News

Shorts Break returns this week with Lilli Carre’s animated tone poem How She Slept At Night, about a man who tries to remember his wife, but can only come up with a few scattered details as his memory begins to decay. A Chicago-based artist and illustrator, Carre works within a number of forms and mediums, including experimental animation, comics and print. What’s particularly striking about this project is how much emotional resonance she is able to pack in to such a simple idea and short runtime.

Upstream Color Makes its Digital Premiere May 7 documentaries about the experiences of motherhood for Mother’s Day. In addition to appearing on the Institute’s Now Playing page, themed collections will be highlighted on GoWatchIt.
Birth Story: Ina May Gaskin and the Farm Midwives, Code of the West and One Mile Away are the first films making their digital premieres as part of a new collaboration between Artist Services and partner organizations The Bertha Foundation, BRITDOC, Cinereach, Film Independent, Independent Filmmaker Project and the San Francisco Film Society.

Jeff Orlowski is an American filmmaker and the director and cinematographer of Sundance Excellence in Cinematography Award Documentary winning film ‘Chasing Ice.’ He joined Film Forward in Colombia to screen and discuss his latest film.The security brief from the State Department was thoroughly frightening: Narco and FARC groups are responsible for many of the local bombings.

Spring break is, for most, but a faded reverie marked by fond (even if not lucid) memories of beach parties and similar presages of summer. While the sheer bliss of spring break is not likely to be recaptured anytime soon, these five films will help you summon the nostalgia of those carefree days.
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Spring Breakdown
Before there was Spring Breakers, Ryan Shiraki’s Spring Breakdown offered a similarly absurdist take on the infamous week of college revelry.

“Tennessee Williams, ironically enough, is a very important person to me. He’s an artist I’m constantly returning to, who I’ve spent years being obsessed over. I’ve read everything he’s ever written.

This week, we’ve reached into the Sundance vaults to pull out two weird and wild tales that will challenge and delight. From the sordid brain of Joe Sedelmaier comes Openminds, an attempt to recount the life and times of Raymond E. Bowles, one of our nation’s great visionaries who you have probably never heard of, made famous for his artificial trees that seem just like the real things.

Featured Composers Include Rolfe Kent (Up In The Air), Clint Mansell (Black Swan), Thomas Newman (American Beauty) and Aaron Zigman (The Notebook)
Los Angeles, CA — Sundance Institute today announced that its Film Music program will host ComposersLab: LA, a one-day workshop for film music composers, on Saturday, May 18 at the Downtown Independent Theatre in Los Angeles (251 S. Main St.).

Since 2007, Sundance Institute has been thrilled by the vibrant work coming out of the New Frontier exhibition and performance space at the Sundance Film Festival. Senior Programmer Shari Frilot and the New Frontier artists have been on the forefront of a sea change in the way media and technology are enabling story creation. In 2011, Sundance Institute deepened its investment in this space by launching the New Frontier Story Lab.

After four extraordinary days in Colombia, I may just be starting to get a feel for this disarmingly complex place. Friendly, welcoming, laid back in most respects, these people wrestle with powerful issues, many surfacing during our screenings in unexpected ways. With the Film Forward team, I’ve traveled with The Loving Story first to Bogota, then to Bucaramanga, then to Medellin—urban to rural and back to relatively urban again.

Tickets now on sale online.
The O2, 22 March 2013 — Sundance Institute and The O2 announced today that three feature films have been added to the programme for the second Sundance London film and music festival, 25-28 April at The O2.

This has been an amazing roller coaster of a month working with my son Gilbert and Frankie on this Kickstarter campaign while they try to raise the budget for their new film Snap Shot. I’ve never seen two guys more persistent, creative and passionate about getting their film made than Gilbert and Frankie in my entire career. I’m really proud to be part of this project it has been a very humbling experience to see how projects like these bring our communities together.

Leading off this week’s Shorts Break is filmmaker Rodney Ascher’s The S From Hell, a documentary-cum-horror film about the scariest corporate symbol in history—the 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Flintstones, the film brings their stories to life with animation, found footage, and dramatic reenactments. Not an exhaustive historical documentary, this is a subjective film whose aim is make the audience feel the same fear and confusion as the children who were first confronted by the vexing, unfolding sights and mournful, dissonant sounds that hid in the cracks between their favorite TV shows.