Menu
Menu
Menu
Menu
By Nick Joyner “Todd Haynes’s Poison is a vision of unrelenting, febrile darkness.” Thus opens Hal Hinson’s 1991 damnation of the film in The Washington
Patrick Stewart (front) plays the owner of a sketchy nightclub, in “Green Room.” By Vanessa Zimmer Spring has arrived, but if you’re lacking color and
From left, Lynn Auerbach, Michelle Satter, and Kathleen Broyles attended the 2000 Directors Lab. When Lynn Auerbach died shortly after the Sundance Film Festival in
One of the most exciting things about starting each year with the Sundance Film Festival is having a front-row seat for the bright future of
Little Richard displays his piano-pounding style in archive footage in “Little Richard: I Am Everything.” By Vanessa Zimmer As we inch toward summer, an increasing
Director A.V. Rockwell pauses backstage after winning the U.S. Dramatic Grand Jury Prize for “A Thousand and One.” (Photo by Stephen Speckman) By Vanessa Zimmer
“My radical existence is my art.” – Aitch Albertowriter-director By Stephanie Ornelas Today is Trans Day of Visibility, a day to honor the contributions and
By Félix Endara – Félix, a creative advisor in the 2023 Sundance Institute Trans Possibilities Intensive (which took place 3/27–3/29), is a transgender New York–based independent
This Friday, March 31 is Trans Day of Visibility, a day to honor the contributions and existence of our trans community — from artists to
By Lucy Spicer This week we are uplifting the voices of trans artists within our community in honor of Trans Day of Visibility on Friday,
At Sundance Institute, trans storytellers will always have a place to cultivate their artistic craft, their sense of community, and most importantly, their joy. Supporting
Terms & Conditions | Privacy Policy
© 2024 Sundance.org