Jena (Keri Russell, on right) and her waitress friends (from left, Adrienne Shelly and Cheryl Hines) pause for conversation, in Waitress. By Vanessa Zimmer May
It’s been just four short months, but we are ready to dive back into the action! Today, we are announcing the dates for the 2023
By Stephanie Ornelas Pulitzer Prize–winning journalist John S. Knight’s editorial policy was quite simple: “Get the truth and print it.” May 3 is World Press
An epic frat party turns into an examination of racial dynamics for three students of color (RJ Cyler, Donald Elise Watkins, Sebastian Chacon) in Emergency.
In Adam’s Apples, Adam is sentenced to community service at a rural church, where he is assigned to care for the church’s single apple tree.
By Vanessa Zimmer A single Māori mother who saw inequities in New Zealand, who had experienced oppression, racism, and sexism, Merata Mita (1942–2010) picked up
By Stephanie Ornelas “Short films force you to be poetic. They force [us] to be visual and sonic storytellers.” These are some opening words
It’s no secret that we love a good documentary. From our stacked Film Festival non-fiction lineups to the fact that Sundance-supported documentaries regularly take the
GOOD LUCK TO YOU, LEO GRANDE TO OPEN THE FESTIVAL WITH EMMA THOMPSON IN ATTENDANCE PROGRAMME INCLUDES FEATURE FILMS, SHORT FILMS, SPECIAL EVENTS AND A
By Stephanie Ornelas Art allows us to express ourselves in so many unique ways and, sometimes, in ways we never thought possible. I saw this
By Stephanie Ornelas All eyes are on cinema in Latin America. If you watched films The Cow Who Sang a Song Into the Future (2022)
By Vanessa Zimmer Ahmir “Questlove” Thompson and Siân Heder have been on winning streaks that are essentially a mirror image of each other since the
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