Category: Now Playing

Director Kyle Patrick Alvarez may not be the second coming of Dr. Philip Zimbardo, the groundbreaking psychologist at the helm of the Stanford Prison Experiment, but that doesn’t preclude his new film from channeling the same chilling tenor as those controversial events.
One could speculate that every film screening is an “experiment” of sorts, as a number of audience members intimated during The Stanford Prison Experiment’s Q&A session at the film’s Sundance premiere, but Alvarez is loath to concede that his film manipulates with the same scheming tendencies as the experiment itself.

A perilous journey into the world of drug cartels, a simulated prison experiment that reduces Ezra Miller to a weeping boy, and a Christmas Eve spent with transgender prostitutes in Los Angeles. Yeah, July has something for everyone.
Those three Sundance favorites—Cartel Land, The Stanford Prison Experiment, and Tangerine, respectively—headline a slate that further catapults us into summer moviegoing season.

Passionate, mercurial, prodigiously talented. They’re adjectives that could personify any number of entertainers, but maybe none more than the utterly compelling, endlessly perplexing Nina Simone. In January at the 2015 Sundance Film Festival, director Liz Garbus—an Oscar-nominated and first-class artist in her own right—premiered her sweeping portrait of the complicated singer and pianist whose classically trained skills were paired with an undeniable fervor for activism.

A stranger-than-fiction documentary, The Wolfpack reveals the almost unbelievable story of the Angulo family. They’re seven children—six brothers and one sister, all with waist-length black hair—who are being raised on welfare in a crowded, untidy apartment on Manhattan’s Lower East Side.
The surprise here is that they weren’t allowed to leave for 17 years due to their Hare Krishna father’s fear of the outside world.

Check out these Sundance-supported films coming to theaters, DVD, and Blu-Ray this month, including this year’s Grand Jury Prize winner Me and Earl and the Dying Girl, Rodney Ascher’s jarring fright film The Nightmare, and a refreshing and decidedly westcoast update to coming-of-age films in Dope.
 
In Theaters

Friday, June 5 The Nightmare, directed by Rodney Ascher

Friday, June 12 The Wolfpack, directed by Crystal Moselle

Me and Earl and the Dying Girl, directed by Alfonso Gomez-Rejon

Wednesday, June 17 The Tribe, Myroslav Slaboshpytsky
Friday, June 19 Eden, directed by Mia Hansen-Løve

Dope, directed by Rick Famuyiwa 

Infinitely Polar Bear, directed by Maya Forbes

The Overnight, directed by Patrick Brice

Friday, June 26 Fresh Dressed, directed by Sacha Jenkins

 
DVD and Blu-Ray
 
Tuesday, June 2 Camp X-Ray, directed by Peter Sattler
Tuesday, June 9 Rich Hill, directed by Tracy Droz Tragos and Andrew Droz Palermo
Tuesday, June 16 Wild Tales, directed by Damian Szifron
 
#ArtistServices
 
Monday, June 1 La Ciudad, directed by David Riker
Tuesday, June 2 The New Black, directed by Yoruba Richen
Wednesday, June 10 FUEL, directed by Joshua Tickell
Monday, June 15 Rain in a Dry Land, directed by Anne Makepeace
Thursday, June 25 Across the Creek, directed by Jonny Cournoyer
 .

Andrew Bujalski returned to Sundance last January with Results, a perceptive comedy set in the world of fitness trainers that examines the relationship between money and happiness. The movie premiered at the Eccles in the U.S.

The Western may be among the most American of genres—if not the most American of genres—but that has never stopped filmmakers from around the world, from Italy to Japan and beyond, from trying it on for size. In Slow West, winner of the Grand Jury Prize in the World Cinema Dramatic Competition at the 2015 Festival, English writer-director John Maclean doesn’t transpose the genre to Europe—he brings a European sensibility to the American West. Considering the preponderance of immigrants who migrated to and settled in America, it wasn’t exactly a crazy notion.

Michael Fassbender stars as a bounty hunter in romantic pursuit of a female fugitive in John Maclean’s award winner Slow West, a European rendering of the classic Western that brandishes its six-shooters with a serving of gallows humor. Also coming to theaters in May, director Andrew Bujalski trains his lens on the idiosyncratic world of fitness trainers in Results, starring Guy Pearce, Kevin Corrigan, and Cobie Smulders. Check out all of this month’s releases below.

Journalistic ethics and the relationship between storytelling and the truth are at the forefront of True Story, a compelling cat-and-mouse drama that marks the debut feature from acclaimed theater director Rupert Goold. The film, which premiered out of competition at the 2015 Sundance Film Festival, stars Jonah Hill as Mike Finkel, a disgraced New York Times reporter, and James Franco as Christian Longo, who’s been arrested for the murder of his wife and children. The director, who also adapted the screenplay from Finkel’s memoir, True Story: Murder, Memoir, Mea Culpa, acknowledged the importance of casting the right actors, for what is essentially a two-hander.

While we lament a dearth of Sundance-supported releases hitting theaters this month, April is still apt for film viewing from the couch with a gathering of great stories coming to DVD, Blu-Ray, and On Demand. Among the small batch of theatrical releases, Rupert Goold’s True Story—yes, based on a true story—follows disgraced New York Times reporter Michael Finkel (Jonah Hill) and convicted murderer Christian Longo (James Franco) in a tale of journalistic ethics and unlikely relationships. And if you’re so inclined to do your viewing from home, check out 9 #ArtistServices titles newly available on Netflix and a crop of indies coming to DVD and Blu-Ray.

This article was originally published following the premiere of 52 Tuesdays as part of the World Dramatic Competition at the 2014 Sundance Film Festival.On the heels of Richard Linklater’s 12-years-in-the-making drama Boyhood, another film from the 2014 Sundance Film Festival has been made under a similarly innovative process. For her directorial debut 52 Tuesdays, Sophie Hyde shot her film exclusively on Tuesdays for 52 consecutive weeks, giving actors their scripts only a week in advance and only for the scenes that involved their characters.

Kumiko, The Treasure Hunter, the Zellner Brothers’ mythical, Fargo-influenced drama leads a batch of Sundance-supported releases hitting theaters this month. Kumiko premiered at the 2014 Sundance Film Festival and screened at last summer’s Sundance NEXT FEST. David Robert Mitchell’s It Follows, a brazenly creepy teen horror also comes to the screen after premiering at Cannes and screening in Sundance’s Midnight section.