Director Mira Nair and cinematographer Edward Lachman on the set of Mississippi Masala. Photo by Mitch Epstein by the Archives Team With the Spirit Awards
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Parting Glances. 1986. USA. Written and Directed by Bill Sherwood. Courtesy First Run Features By Matthew Eng Parting Glances is at once an introduction and
The vibe inside the big white tent of the 2024 Film Independent Spirit Awards was that of a warm family reunion. With so many projects
By Stephanie Ornelas Alexander Payne has deep roots with Sundance Institute, having been a lab fellow, creative advisor, and a Festival juror over the last
By Stephanie Ornelas “If your film is ready for Sundance, that means you’re ready for all the other festivals that are coming for the year.
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer From what she jokingly describes as a “hostile” hotel room in Los Angeles, Emerald Fennell virtually joins an excited group of viewers
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival) By Patty Consolazio One of the magical things about film is its ability to bring to life the times,
As we continue to dig into the best of what’s next at the 2024 Sundance Film Festival, it’s always nice to be reminded of our
Andra Day and Titus Kaphar. (Breanna Downs/Shutterstock for Sundance Film Festival) By Veronika Lee Claghorn Director Titus Kaphar reveals to Tracy McKnight (VP, Creative, Film,
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